god save the car festival 2022

Jun a young photographer living in Manilla, decides to return to his native town to visit his father, a retired doctor who became paralyzed after a car accident. During his visit, he decides to do a photo documentary on the locals Holy Week rites. He meets the mysterious Teresa, and while they’re becoming quick friends, she slowly starts to open up about her sister, Rosa, who’s Filmofficiel du God Save the Car Festival organisé le samedi 9 avril 2022 à l’autodrome de UTAC Linas-Montlhéry en partenariat avec le magazine Classic & Sports Car. DownloadFestival will take place between 10-12 of June 2022, with camping available on site from Wednesday, June 8. As always, it will take place at Donington Park in Leicestershire, the same Whata night this was for women’s football in England. It was a far from perfect performance from the Lionesses in their Women’s Euro 2022 opener but the record-breaking 68,871 in atten Save2022 Day of the Dead 1M 5K 10K 13.1 26.2-Save $2 to your collection. Hendersonville Pig Fest- Swine and Drive Classic Car Show and Concert Fri, Oct 21, 5:00 PM Starstruck Rencontre Avec Une Star Streaming Vostfr. UTAC 4x4 EXPERIENCE - stage 19 mars 2022 Centre d'Essais de Mortefontaine Vous désirez découvrir le pilotage tout-terrain à bord du plus emblématique des 4x4, le nouveau Land Rover Defender ?Le groupe UTAC vous propose pour cela des sessions de formation spécifique sur les 40ha de pistes du centre UTAC Mortefontaine. GT Prestige 03 et 10 avril 2022 Centre d'Essais de Mortefontaine Profitez de cette occasion unique pour découvrir les pistes techniques du Centre d'Essais de Mortefontaine. En toute sécurité, guidé par les instructeurs, maîtrisez votre véhicule et exploitez ses performances tests basse adhérence, anneau de vitesse incliné à 43 degrés et long de 3 kilomètres, circuit routier... les installations destinées aux constructeurs et équipementiers sont exceptionnellement à votre disposition. Vintage Revival 7 et 8 mai 2022 Autodrome de Linas-Montlhéry Le plus grand rassemblement de véhicules d’avant-guerre est de retour. Rendez-vous donc les 7 et 8 Mai sur l’Autodrome de Linas-Montlhéry à la découverte des avant-guerre, une belle expo au cœur de l’autodrome avec des clubs et des passionnés dans tous les sens. Jap'n'Car Festival 21 mai 2022 Autodrome de Linas-Montlhéry Le rassemblement de référence est au coeur de la culture japonaise. Découvrez les autos et motos les plus folles, participez aux roulages et aux expos avec votre propre véhicule japonais, profitez du village et de l'expo de plus de 600 autos et motos japonaises tout au long de la journée. Café Racer Festival 18 et 19 juin 2022 Autodrome de Linas-Montlhéry L'Autodrome de Linas-Montlhéry se transforme en temple de la moto de caractère les 18 et 19 juin prochains. Un rendez-vous incontournable pour les amateurs d'anciennes comme de prépas délirantes... Sur la piste du célèbre anneau de vitesse de Linas-Montlhéry, des sessions de roulage par catégories Motos de Course, Motos stock, Cafe Racer Classic, Cafe Racer Moderne et Kiss'n Vroom pour les dames. US Motor Show Linas-Montlhéry 24 septembre 2022 Autodrome de Linas-Montlhéry Roulages auto et moto US, parades et expositions Incarnation de l'esprit de liberté, d'évasion, de sport, de muscle, retrouvez sur la piste aux étoiles les légendes US Mustang, Shelby, Harley, Corvette, et bien d'autres constructeurs mythiques. 600 autos et motos américaines vous donnent rendez-vous le 24 septembre. Losange Passion International Samedi 01 octobre 2022 Autodrome de Linas-Montlhéry C'est devenue une bonne tradition que la Fédération Française des clubs Renault et Alpine organisent tous les deux ans Losange Passion International. Après le succès des premières éditions, Losange Passion International revient pour une 6ème édition et 4ème sur le mythique anneau de vitesse ! Autodrome Italian Meeting 8 octobre 2022 Autodrome de Linas-Montlhéry L’Italie revient à l’Autodrome de Linas-Montlhéry avec une nouvelle édition d’Autodrome Italian Meeting samedi 8 octobre 2022 ! Admirez les pilotes sur la piste, au volant de leurs Alfa Romeo, Maserati, Lamborghini, Ferrari, Ducati, Vespa, Lambretta... Tour d’Automne de Linas-Montlhéry 15 octobre 2022 Autodrome de Linas-Montlhéry Première édition du Tour d'Automne de Linas-Montlhéry se déroulera le 15 octobre 2022. Le principe même de cet événement est de rassembler les voitures allemandes, françaises et multi-marques. God Save The Car Festival Samedi 9 avril 2022 Autodrome de Linas-Montlhéry En partenariat avec le magazine Classic & Sports Car nous vous donnons rendez-vous le samedi 9 avril 2022 pour la 5ème édition de cet événement dédié à la culture anglaise. Youngtimers Festival Samedi 23 Avril 2022 Autodrome de Linas-Montlhéry Le samedi 23 avril 2022, c'est la grosse ambiance avec le retour du Youngtimers Festival. 1 L’Autodrome de Linas-Montlhéry a renoué avec la fête à l’anglaise ce samedi 12 juin 2021 God Save the Car Festival a accueilli 400 équipages Les rires et sourires étaient palpables sur les visages des participants ce samedi à l’Autodrome de Linas-Montlhéry. God Save the Car Festival s’est tenu avec une jauge à 1000 personnes et près de 400 véhicules anglais de collection et sportifs. Cet événement à l’initiative d’UTAC CERAM Millbrook et Classic & Sports Car France démontre plus que jamais la ferveur et la joie partagée autour des belles mécaniques. Trois rendez-vous s’enchaînent en juin et juillet, dont les 19 et 20 juin avec le Cafe Racer Festival. God Save the Car Festival les anniversaires Le temps était de la partie et a permis de célébrer comme il se doit l’âge d’or des roadsters anglais. Sans toit, pour profiter du soleil et de l’ambiance, la Jaguar Type E, MG Midget et la Triumph TR4 étaient réunies à l’occasion d’une parade anniversaire exceptionnelle. Isabelle De Paz, responsable de l’activité événementielle à l’Autodrome de Linas- Montlhéry la fête était parfaite, les participants ravis. La saison redémarre sur les chapeaux de roues, avec l’enthousiasme et la passion partagée que l’on connaît ici. J’adresse des sincères remerciements à tous les passionnés qui sont venus nous retrouver aujourd’hui, et je vous donne rendez-vous tout au long de la saison pour de nouvelles et belles fêtes mécaniques ». Les Trophées de l’Elégance avec Motul Car Care Pour célébrer l’élégance des véhicules anglais, les choix sont pléthoriques. Après une pré-sélection de 10 autos, UTAC CERAM Millbrook et Motul Car Care ont sélectionné trois véhicules d’exception, trois histoires de passionnés aussi. Le jury a rendu son verdict, voici le podium final 1er Frédéric MARCHAL, Morris 8 de 1936 2e Daniel PLAS, Morgan 4/4 de 1970 3e Sylvain TENDIL, Westfield Lotus Eleven de 1970 Sur la piste ça roule ! En parade ou en démonstration, des centaines de pilotes ont profité des sessions piste tout au long de la journée. Le programme s’articulait autour de catégories thématiques Mini, Vintage roadsters, Vintage coupés, Sportives contemporaines et de parades pour tous. En musique avec Lost In Soul’ La musique était également au programme dans les paddocks, pour agrémenter la journée. Des rythmiques énergiques, une Soul et des influences multiples, le groupe composé de six musiciens a enchaîné des compositions sur la scène de l’événement. -> Calendrier 2021 Linas-Montlhéry Infos Joindre par email -> Les éditions précédentes Pitchfork Festival tends to be one of the better-curated weekends of the summer — especially compared with Chicago counterparts such as Lollapalooza — thanks to its emphasis on music discovery. But this year’s event added a dimension of fan service to the equation. You could practically envision the type of music lover who’d attend each day the millennial indie guy ready to rock to the National and Parquet Courts on Friday; the extremely online fan hungry for the catharsis of Mitski, Japanese Breakfast, and Lucy Dacus on Saturday; the old and young hip-hop head uniting around Earl Sweatshirt, Noname, and the Roots on Sunday. And each one had more than enough reason to leave happy. I saw all of it over three days — and much more, from astonishing side-stage performances to lots of rain and mud. Ahead, some of the best and worst moments of Pitchfork 2022. HIGH The early festivalgoer was soothing voice of Pakistani singer Arooj Aftab floated through a rainy Union Park on Friday; her beautiful, meandering ballads were the perfect way to ease into the festival. The same went for Saturday, when guitarist Jeff Parker and his jazz collective, the New Breed, opened with a jam session, and Sunday, when rapper Pink Siifu crowded the stage for a smoke-filled, laid-back celebration of southern music. Aside from those chill kickoffs, there were some early big draws, including a sweats-clad Ethel Cain, whose “Family Tree” sounded like a dark incantation in the rain. But the biggest reason to show up when the gates opened? Chicago raunch rapper CupcakKe, whose bravado was so contagious she was able to lead a crowd of thousands to shout about sucking dick at 2 on a Saturday. LOW The complaining about inclement weather at a festival is nothing new. But every time it seemed as if the rain would let up on Pitchfork, it kept going — especially on Sunday, when it wasn’t even forecast to rain. The downpour eventually made a massive mud pit at one of the stages Sunday, where no fans dared to step. It also led Earl Sweatshirt to assure the audience his music wasn’t fit for moshing. HIGH A rapper for 2021’s lineup featured a pitiful three rappers, I wondered if Lyrical Lemonade Summer Smash and Lollapalooza were pricing Pitchfork out of rap bookings in Chicago. Thankfully, this year brought nine rap acts to the fest, which provided a little something for everyone thoughtful bars from Noname and Earl Sweatshirt, blasts of energy from CupcakKe and Monaleo, endless grooves from the Roots and Pink Siifu. Then there was underground New York rapper Wiki, who had all of that and more as he animatedly reflected on his roots in his trademark nasally sneer. Wiki’s producer Subjxct 5 proved equally integral, especially when he dropped a fantastic and jittery new track off their upcoming collab, Cold Cuts which Wiki accurately described as “the disco era and the Memphis era in one”. WHOA Dawn Richard was the real hard to get a crowd of music nerds to dance, but that didn’t stop Dawn Richard. When I arrived a few songs into her midevening set at the small, tucked-away Blue Stage, the audience was already moving. Dance anthems off her 2021 album, Second Line, including “Bussifame” and “Boomerang,” became even more powerful live and were punctuated by stunning choreography and an interpolation of No Doubt’s “Don’t Speak.” With a red wig that nearly hit the floor and backup dancers on either side of her, Richard looked the part of a headliner; as she danced, rapped, and belted her way through her set, she acted it too. And the former Danity Kane member showed that her versatility extended far beyond dance music, as when she wailed the Cranberries’ “Zombie” into a sparkling, auto-tuned mic while kneeling in front of her soloing guitarist. “I gave you every piece of me,” Richard declared on her final song, “Heaven,” but that still wasn’t enough. Minutes later, she returned to give even more, performing an encore in a lit-up, crownlike headpiece that soon fell off from her vigorous dancing. LOW The many lineup you were looking forward to rapper Tkay Maidza or jazz-rockers BadBadNotGood, sorry — both acts canceled last minute because of visa issues and illness, respectively. That was on top of an earlier cancellation by English rock group Chubby and the Gang, who pulled out of a tour ahead of the festival. At least the event had some top-notch replacements in its back pocket, including rockers the Linda Lindas, Houston rapper Monaleo, and Chicago experimental mainstays the Natural Information Society. WHOA The Armed’s beautiful later, I’m still trying to wrap my head around what I witnessed during the Armed’s Saturday Blue Stage set. Yes, I did see 11 people crowd onto the stage — including a blindfolded keyboardist and three backup singers in Juggalo face paint — and tear through 45 minutes of maximalist hardcore. The screaming and shredding were unrelenting, and seemingly every other song saw some member of the band jump into the crowd; hell, by the end, half of them had gotten swallowed by the pit at the front of the stage. As big of a production as it was, the set still felt intimate, even from a band of rotating characters whose identities are mostly a mystery. HIGH yeule and Magdalena Bay brought their pop visions to finished Friday at Thalia Hall, where the electronic musician yeule played a Pitchfork preshow in the round. The setting perfectly served their performance, as Nat Ćmiel, lithe and acrobatic, moved to the music across the stage. Their use of vocal effects meant the songs didn’t sound much different live, save for a tender moment toward the end when they picked up a guitar to play “Eyes” and “Don’t Be So Hard on Your Own Beauty.” But that wasn’t the point of the show — it was to share in this internet-born music in person, to dance around to the gloriously cathartic “Bites on My Neck” at the end of the set. Meanwhile, Magdalena Bay more than excelled at bringing their brand of pop to one of their biggest stages yet. The duo ran through their fantastic 2021 album, Mercurial World, in order, as they did on tour, but without the colorful set pieces and projections they had when I saw them in February. That barely mattered, though, as singer Mica Tenenbaum quickly got the crowd moving, while Matt Lewin ripped through guitar solos, adding a sharp live edge to their usually polished music. WHOA Japanese Breakfast does it past two years have been a showcase for Michelle Zauner’s myriad talents, from making terrific indie-pop as Japanese Breakfast to writing her poignant best-selling memoir Crying in H Mart. She packed as much of that talent as she could into an hour during her Pitchfork set. At the outset, she was a pop star, dancing and banging a flower-covered gong to her buoyant Jubilee songs “Paprika” and “Be Sweet.” Later, she was a bandleader for a stellar rendition of “Glider,” one of her compositions for the 2021 video game Sable. She was then a duet partner to Chicago icon Jeff Tweedy, who joined for his favorite song of hers, “Kokomo, IN,” and a performance of Wilco’s “Jesus, Etc.,” featuring beautiful harmonies from Zauner. And she closed as a rock god, pouring out the minutes-long guitar solo of “Posing for Cars” before a face-melting “Diving Woman.” HIGH Mitski had what the National National set had a simple draw the band’s first gig since the pandemic. But unless you were a National devotee and to be fair, much of the crowd was, it lacked the excitement a headlining set ought to bring. Sure, the guitars sounded strong, and the band’s new songs fit right in, but the performance excelled only for brief moments, as when Matt Berninger entered the crowd for “Mr. November.” Saturday’s headliner, Mitski, put on much more of a show, running through renditions of songs from across her career, complete with her signature interpretive dance choreography. Shockingly, she never picked up a guitar. For such a production, the tracks felt immediate; both weaker cuts from her recent Laurel Hell and her strongest songs, like 2018’s “Geyser,” benefited from larger-than-life renditions from her five-piece band. For all Mitski gave as a performer, the enraptured crowd gave it right back, screaming at her every move. WHOA The main stages got fans have to seek out the oddest performances at the smaller Blue Stage, but on Sunday, they were right there on the main stages. It began with L’Rain, the experimentalist whose practice of “approaching songness” was on full display as she led a band through her shifting, exploratory tracks that fall somewhere between free jazz and experimental electronic. She relished the process, often laughing and smiling at her impeccable band as they played. Later, the Natural Information Society jammed for a meandering hour, all held together by bandleader Joshua Abrams on the guembri. Even some of the rap acts veered left of center, like Injury Reserve’s dissonant set and Earl Sweatshirt’s jazzy, pensive hip-hop. LOW The number of Chicago three of the acts who performed at Pitchfork currently live in Chicago since local heroes Jeff Parker and Noname moved to Los Angeles. And one of those acts, the National Information Society, was a last-minute addition to the lineup. It’s a strikingly low number for a festival that tends to spotlight its host city’s talent. That didn’t halt the weekend’s city pride, though, particularly on Sunday, when silk-voiced R&B singer Kaina performed with Chicago artist Sen Morimoto and drummer Brian Sanborn who later played with Noname. Clouds blanketed the sky, but Kaina made the stage glow, warmly reflecting on her Chicago roots with songs off her recent album It Was a Home. Later, it felt fitting to see Kaina sidestage, enjoying Noname’s celebratory, loose homecoming. And after local singer Akenya joined to perform her feature on “Reality Check,” she presented Noname with a bouquet — literally giving her her flowers, she said. The crowd, excited to see the rapper back home, followed suit. HIGH The started keeping count of saxophones on Saturday, when Dry Cleaning brought out the Chicago performer Bruce Lamont to guest on “Unsmart Lady.” He was the second saxophonist I’d seen, after the New Breed’s earlier set. And they kept coming — by the end of the weekend, I’d witnessed sax performances with Japanese Breakfast, L’Rain, Kaina, the Natural Information Society, Cate Le Bon, and, of course, the Roots. Bonus points to Natural Information, which performed with two saxophones, plus a bass clarinet. WHOA The Roots kept in, for nearly 90 minutes, right until 959 As in, Questlove did not stop drumming for longer than 15 seconds. As in, I thought the performance was over three different times, and they just. Kept. Going. For a legacy act, the long-running hip-hop band’s closing set was full of the unexpected, from a sousaphone solo by Damon “Tuba Gooding Jr.” Bryson to a guest rap from Chicagoan Hannibal Buress to a cover of Kate Bush’s “Running Up That Hill.” And the Roots and the crowd both didn’t want it to end. The Highs, Lows, and Whoas of Pitchfork Festival 2022 Le 23 mars dernier se tenait, sur l’autodrome de Linas-Montlhéry, la deuxième édition de l’événement “God Save the Car and the Motorcycle” dédié aux véhicules anglais. Rassemblant environ 500 autos et motos issues de la production britannique et, attirant près de 3 000 visiteurs, le succès fut au rendez-vous. Les Mini avaient, bien entendu, répondu massivement à l’appel afin de fêter dignement les 60 ans de la mythique citadine au palmarès sportif sans pareil. Dès le matin, le ton fut donné. En effet, l’arrivée des participants se fit sous une météo des plus britanniques, composée de brouillard dense et de froid perçant. La première session de roulage sur le mythique circuit de Linas-Montlhéry a même été retardée pour cause de visibilité insuffisante. Toutefois, les choses revinrent vite dans l’ordre et le soleil fit progressivement son apparition, avant de s’installer durablement sur l’anneau pour offrir une belle lumière à la journée “God Save The Car and The Motorcycle”. Les différents plateaux de roulage se sont succédés tout au long de la journée, entrecoupés par deux grandes parades rassemblant la quasi-totalité des véhicules présents. Nous avons ainsi pu voir évoluer de nombreuses Mini dont certaines étaient bluffantes d’efficacité, mais aussi une magnifique Riley Racing 6 vert pâle de 1935, un duo d’Ashley Sprite et Midget, une rarissime 12 exemplaires et minuscule Heron Europa, une mythique Jaguar Type D une réplique ou encore les classiques mais toujours superbes Triumph, MG et Jaguar. Côté paddocks, la fête était assurée par le groupe de rock Whatslap et les nombreuses Mini présentant toutes les couleurs, les versions et les modifications possibles, un véritable catalogue vivant pour amateur éclairé. Un improbable mais sublime attelage constitué d’une sublime X120 Roadster noire, tractant une non moins superbe moto Norton, constituait également une attraction incontournable, à proximité d’une Jaguar Type C en très bel état d’origine. Seule petite ombre au tableau, un faible nombre de stands de shopping » offert aux amateurs, mais cela ne viendra aucunement gâcher la fête. Convivial et accessible, l’événement “God Save The Car and The Motorcycle” est en passe de devenir une référence auprès des amateurs d’anglaises. A noter, les amateurs d’autres nationalités automobiles françaises, italiennes, allemandes et américaines ne sont pas délaissés pour autant ; un tour sur le calendrier des événements de l’UTAC-CERAM vous permettra de constater qu’un événement similaire est prévu pour chacun de ces pays. Alors, à vos agendas ! Retrouvez ci-dessous, au terme de cet article, d’autres photos de cette journée “So British” qui a fait oublier, quelques heures, le Brexit ! Texte et photos Alexandre Besançon Error 403 Guru Meditation XID 193029763 Varnish cache server

god save the car festival 2022